{"title":"Book","description":"\u003cp\u003eBrowse our Book collection. Free Shipping.\u003c\/p\u003e","products":[{"product_id":"the-night-the-kingdom-rose-again-by-jason-sivewright","title":"The Night the Kingdom Rose Again by Jason Sivewright","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003eThe Night The Kingdom Rose Again\u003c\/em\u003e is a celebration of the football team that officially made KC \"Comeback City\". It's the perfect way to share with generations to come how our championship team both stopped our hearts and stole our hearts all at the same time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBy Jason Sivewright. 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With decades of experience as a baseball reporter and television host, Goldberg has witnessed firsthand the impact of “small ball” on life beyond the diamond. Fundamentals like bunting, stealing bases, and advancing the runner translate as much in business as they do in baseball. 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Packed with many rarely-before seen images, the book includes such unlikely characters as Elvis Presley, whose benefit concert helped trigger the fund-raising for the Memorial, and Henry Williams, a three-year-old boy who placed the first bolt in her keel in 1915 and read a newspaper by the light of her raging fires as a lieutenant at Pearl Harbor in 1941. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003e\u003ci data-mce-fragment=\"1\"\u003eUSS Arizona: Warship, Tomb, Monument\u003c\/i\u003e tells a story that needed to be told, of why the Arizona is still so important to people from around the world who trek to visit her each year.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bess Press","offers":[{"title":"Softcover","offer_id":53196043321664,"sku":"jlo1790029248192","price":12.17,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0986\/8535\/4304\/files\/uss-arizona-warship-tomb-monument_1.jpg?v=1790029252"},{"product_id":"american-aloha-cultural-tourism-and-the-negotiation-of-tradition","title":"American Aloha: Cultural Tourism and the Negotiation of Tradition","description":"\u003cp\u003eHeather Diamond\u003c\/p\u003e\n\u003cp\u003eSoftcover, 288 pp.\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 0pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003eBased on archival research and extensive interviews with festival organizers and participants, this innovative cross-disciplinary study uncovers the behind-the-scenes negotiations and processes that inform the national spectacle of the Smithsonian Folklife Festival. \u003c\/span\u003eIntersecting the fields of museum studies, folklore studies, Hawaiian studies, performance studies, cultural studies, and American studies, \u003ci\u003eAmerican Aloha\u003c\/i\u003e supplies a nuanced analysis of how the carefully crafted staging of Hawaiʻi's cultural diversity was used to serve a national narrative of utopian multiculturalism one that collapsed social inequities and tensions, masked colonial history, and subordinated indigenous politics while empowering.\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 0pt;\" class=\"MsoNormal\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHawaiʻi's\u003c\/span\u003e traditional artists and providing a model for cultural tourism that has had long-lasting effects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"University of Hawaiʻi Press","offers":[{"title":"Softcover","offer_id":53196043485504,"sku":"rfh1790029255724","price":16.17,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0986\/8535\/4304\/files\/american-aloha-cultural-tourism-and-the-negotiation-of-tradition_1.jpg?v=1790029260"},{"product_id":"talking-hawaiʻis-story-oral-history-of-an-island-people","title":"Talking Hawaiʻi's Story: Oral History of an Island People","description":"\u003cp\u003eEditors: Michi Kodama-Nishimoto, Warren S. 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Here historian and steel guitarist John W. Troutman offers the instrument’s definitive history, from its discovery by a young Hawaiian royalist named Joseph Kekuku to its revolutionary influence on American and world music. During the early twentieth century, Hawaiian musicians traveled the globe, from tent shows in the Mississippi Delta, where they shaped the new sounds of country and the blues, to regal theaters and vaudeville stages in New York, Berlin, Kolkata, and beyond. In the process, Hawaiian guitarists recast the role of the guitar in modern life. But as Troutman explains, by the 1970s the instrument’s embrace and adoption overseas also worked to challenge its cultural legitimacy in the eyes of a new generation of Hawaiian musicians. As a consequence, the indigenous instrument nearly disappeared in its homeland.\u003c\/p\u003e\n\u003cp\u003eUsing rich musical and historical sources, including interviews with musicians and their descendants, Troutman provides the complete story of how this Native Hawaiian instrument transformed not only American music but the sounds of modern music throughout the world.\u003c\/p\u003e\n\u003cp\u003eJohn W. Troutman is associate professor of history at the University of Louisiana at Lafayette.\u003c\/p\u003e\n\u003cp\u003eAdvance Praise:\u003c\/p\u003e\n\u003cp\u003e“A model of richly detailed yet accessible narrative history, John W. Troutman’s book will force scholars and lovers of popular music in the United States to change some of their most basic and long-held assumptions.”—Karl Hagstrom Miller, University of Virginia\u003c\/p\u003e\n\u003cp\u003e“Kīkā Kila is a magisterial work. John W. Troutman eloquently links the steel guitar with the arrival of white missionaries and the dispossession of indigenous Hawaiian people from their land in the nineteenth century. The instrument became a powerful voice for the Hawaiian people and inspired white, black and Indian music in North America in the twentieth century.” —William Ferris, author of Give My Poor Heart Ease: Voices of the Mississippi Blues\u003c\/p\u003e\n\u003cp\u003e“John W. Troutman’s compelling and lovingly written book cements the centrality of the steel guitar, Kanaka Maoli musicians, and Hawaiian history in the evolution of American cultural history. Deeply informed by scholarship on music, expressive culture and performance, diaspora, imperialism, resistance, politics, economics, and more—all informed and reinvented through the lens of Indigenous studies—this is one of the most surprising and challenging cultural histories I’ve lately seen. Read here and learn that Kanaka Maoli people and the steel guitar are at the heart of it all.”—Rayna Green, Curator Emerita, National Museum of American History, Smithsonian Institution\u003c\/p\u003e\n\u003cp\u003e“John W. Troutman's Kīkā Kila is a deeply researched, definitive history of the Hawaiian steel guitar, but more than that, it is an eloquent and convincing argument for the influence and centrality of Hawaiian music—and, in particular, Hawaiian musicians—-in the broader history of American music.”—Elijah Wald, author of Escaping the Delta: Robert Johnson and the Invention of the Blues\u003c\/p\u003e\n\u003cp\u003e“Kīkā Kila is a tour de force, documenting the steel guitar’s indigenous Hawaiian roots, while also challenging longstanding conventions in the music industry and in scholarship on American popular music. 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For over a millennium—long before the “discovery” of the Pacific by Europeans in the 16th century—Polynesian peoples inhabited the islands and were the only ones ever to have lived there. The question of where exactly they originated, and how they were able to traverse the vast Pacific has always been a difficult one to answer, made all the more intriguing by the absence of written records from the Polynesians themselves.\u003c\/p\u003e\n\u003cp\u003eIn SEA PEOPLE: The Puzzle of Polynesia (Harper; March 12, 2019), Christina Thompson presents a multifaceted account of how, over the course of centuries, people have tried to answer what came to be known as the Problem of Polynesian Origins. From an outside perspective, it seemed extraordinary that a people without writing or metal tools had been able to conquer the largest ocean in the world—especially when navigating the Pacific proved so treacherous to European explorers.\u003c\/p\u003e\n\u003cp\u003eIn order to uncover Polynesia’s past, Thompson draws from an impressive range of disciplines, from anthropology to geology, from linguistics to astronomy and the science of navigation. She delves into the earliest encounters that European explorers had in the Pacific, the stories passed down by the Polynesians, how the latest scientific findings affect our understanding of the deep past, and even recounts a twentieth century attempt to recreate the voyages taken by the ancient Polynesians.\u003c\/p\u003e\n\u003cp\u003eTaking us across the Polynesian triangle, from Hawaii to Easter Island to New Zealand, SEA PEOPLE is a fascinating intellectual detective story that seeks to uncover the mysteries and secrets of the Pacific.\u003c\/p\u003e\n\u003cp\u003eABOUT THE AUTHOR Christina Thompson is the editor of Harvard Review and the author of Come On Shore and We Will Kill and Eat You All: A New Zealand Story, which was shortlisted for the Douglas Stewart Prize for Nonfiction and the William Saroyan International Prize for Writing. 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